Monday, November 25, 2013

Our Newest MALAS Alum! Danielle Johnson!

Monday, November 18, 2013

REBOOT: 21st Century Digital Lit | Spring 2014 MALAS Seminar!!! JESSICA PRESSMAN @ SDSU with the Master of Arts in Liberal Arts and Sciences!


REBOOT: 21st Century Digital Lit

Are you digitally literate? You use digital technology, but do you think critically about how and why you use it? Do you understand how your digital tech use, patterns, and online persona impacts the way you think, read, and write? Enroll in this new, experimental course, and you'll learn how to think critically about 21st- century digital culture and its place in media history. This class pursues digital literacy as a concept and a practice, a topic and a skill-set. Our goal is to gain the critical perspective and literacy tools needed to understand, critique, and actively participate in—rather than just blindly and passively use—our contemporary digital media. We will study contemporary discourse about attention/distraction, hyper/deep reading, mobile/stationary media, convergence culture, etc. by putting it in context and tracing its precursors. We will read and view a wide range of genres across medial formats: media studies scholarship, cultural criticism, digital literature, youtube animations, interface design, and more. In the process, we will learn to think critically and creatively about cultural, communicative, and cognitive consequences of digital technologies and our contemporary technoculture. We will not only study digital literacy but acquire it.

Jessica Pressman researches and teaches twentieth- and twenty-first century experimental American literature, digital literature, and media theory.  She is currently a Fellow with the American Council of Learned Societies and a Visiting Scholar and Lecturer at UCSD. She was Assistant Professor of English at Yale University (2008-2012) and received her Ph.D. in English from UCLA (2007). Her monograph on digital poetics, Digital Modernism: Making it New in New Media, is forthcoming from Oxford University Press (2014); Transverse Reading: a Collaborative Case Study of William Poundstone’s “Project for the Tachistoscope: [Bottomless Pit], co-written with Mark C. Marino and Jeremy Douglass, is under contract with Iowa University Press; Comparative Textual Media: Transforming the Humanities in a Postprint Era, co-edited with N. Katherine Hayles, was just published with Minnesota University Press (December 2013). She is currently working on a manuscript that examines the fetishization of the book object in 21st-century print and digital literary culture.  Pressman is Associate Editor of Fiction for Contemporary Literature and Articles Editor for Digital Humanities Quarterly. She is Board Member for both the Electronic Literature Organization (www.eliterature.org) and the online journal of digital art Dichtung-Digital (http://www.dichtung-digital.de/).  Her full CV can be found at www.jessicapressman.com



Sunday, November 3, 2013

MALAS Fall 2013 Featured Lecture: Mark Schwartz on Disability Studies and TOUCH OF EVIL

click to enlarge {plain text below}






Traversing the Corporeal Borders Between the “Half-Breed” and The Ice Cream Soda
A Disability Studies Critique of Orson Welles’s Touch of Evil by Mark Schwartz

THURSDAY NOVEMBER 7, 2013 @ 11am in GMCS 333 on the SDSU Main Campus


“Traversing the Corporeal Borders Between the ‘Half-Breed’ and The Ice Cream Soda” examines how Orson Welles’s film noir masterwork Touch of Evil (1958) embodies several major tensions in disability studies critical discourses. Schwartz provides a brief primer on eugenics and disability history, and shows how they relate to Welles’ film. Welles managed to jam a litany of challenging and still timely ideas into one narrative: drug culture in border towns, racial stereotypes, subjugation of the disempowered through abuse of power. It is a thick and textured work that yields great fodder for critical analysis. As the film noir genre frequently offers an antagonistic view to the norms of the community, Touch of Evil functions to disturb notions of class, gender, and race. While Welles may not have had eugenics on his mind when he rendered this tale of corruption and murder, he certainly plays with some central ideas in disability critical theory, like how the hegemonic role of the middle class helps to reinforce perceptions of normalcy, and how those with different bodies are often relegated to the margins. Welles offers a complex view of the border, unsettling how the viewer thinks about citizenship, power and the body.

 
Mark Schwartz has worked for over twenty years in the disability services field in New York City and earned a Master of Arts in Disability Studies from the City University of New York’s School for Professional Studies. He currently works as the assistant director of the Clinic Program for the Shield Institute, an outpatient clinic that serves children and adults with intellectual disabilities. He has written extensively about complex and frequently deleterious representations of disability in culture and language, and how these representations often reinforce dangerously reductive and demeaning notions about disability.  He has also produced videos exploring these themes that have been used as training material within his field.


A Fall 2013 Feature Lecture from MALAS! The Master of Arts in Liberal Arts and Sciences @ SDSU

Sunday, July 21, 2013

MALAS Fall 2013 KABBALAH Seminar!

KABBALAH
Scott Meltzer

This course will survey the roots, history and symbolism of the Jewish mystical tradition known as Kabbalah. Students will be introduced to the major texts, charismatic mystical masters, and schools of Kabbalah, beginning with the ancient Rabbis through to contemporary exponents of Jewish mysticism such as Hasidim and messianic groups. Particular attention will be focused on the "bible" of Jewish mysticism, the Zohar (Book of Splendour). Understanding the meaning and evolution of Jewish mysticism may also shed light on its current more popular appeal to Jews and non-Jews alike.




Friday, July 19, 2013

Fall 2013 MALAS Graduate Seminar: CRITICAL MIGRATION STUDIES with Professor Kate Swanson

Critical Migration Studies
Professor Kate Swanson 




This course explores the far-reaching consequences of human migration in an age of intense globalization. It will examine transnational migration, borders, detention, immigration policies, human trafficking, among other themes. Through in-depth case studies, we will look at how migration is changing societies and cultures around the globe. I'm currently preparing a short list of books. Two strong contenders include: Seeking Asylum by Alison Mountz and Beyond Walls and Cages by Jenna Loyd et al....   More to come soon!

Tuesday, May 21, 2013

The First Annual Michel Foucault/Carlos Fuentes Lecture on Cultural Studies | 25th Annual Commencement of the Master of Arts in Liberal Arts and Sciences | Featuring Professor Paul Ryan Schneider, Purdue University

A transcript of Professor Ryan's talk for the MALAS graduates of 2013:

Madness and Delinquency. . . or, What Would You Do if Carlos Fuentes and Michel Foucault Showed Up at Your MALAS Graduation Party?

Ryan Schneider
Associate Professor and Director of Graduate Studies
Department of English and Program in American Studies
Purdue University

A few years ago, I did some advising for undergraduates who had been chosen to give speeches at graduation.  I took over the job from a senior faculty member who was retiring after nearly 30 years.  When I got the assignment, I asked him if he might give me some advice—some tips for how to handle the students.  He told me that nearly every undergraduate who had been asked to speak had come to him with the same wish: they wanted their graduation speech to be “different.”  I told him that sounded reasonable.  He responded by saying that such a wish was not at all reasonable that that when I was approached by students who wanted to do something different with their speeches that I should do everything possible to talk them out of it. I asked him why. What was wrong with encouraging students to try something new or unexpected?  After all, isn’t that precisely the kind of original thinking we’re supposed to cultivate in our students?  Why compel them to follow a standard blueprint?  He sighed.  And smiled.  And he laughed. 

And then he told me about some of the students he had worked with over the years: the English major and budding poet who wanted to give a speech entirely in iambic pentameter; the Drama major who wanted to use her speech to do an improve comedy sketch; the Sci-Fi Fantasy lover who wanted to do use the speech to do a tribute to Joss Whedon; the Linguistics major who wanted to give his 15-minute address in Klingon; and, my personal favorite, the Film major who wished to give a speech comprised of exclusively of quotes from the movie “The Princess Bride” (to which, of course, the only response an advisor could ever give would be: “Inconceivable!”) 

And then he explained to me that graduation speakers need to be advised to do four things if they want to be successful: 1) thank the people who deserve be thanked; 2) offer advice to the people who deserve advice; 3) congratulate the people who deserve to be congratulated; and 4) never wait too long to give your audience that one magic phrase they most want to hear . . . “in conclusion.”

So after several years of doing my own advising of undergraduates who want to do something new and different with their graduation speeches, I am going to see if I can follow those same four pieces of advice myself here today.   Here goes:

Number 1: Thank the people who deserve to be thanked:

Bill, thank you very much for that kind and generous introduction. You have been a friend and mentor to me for more than a decade—since I arrived at San Diego State in the Fall of 1999 to begin my first job as an assistant professor, straight out of graduate school, and desperately in need of guidance and support in every regard. You were—and still are—an academic Godfather to me, just as I know you are for everyone involved with the MALAS program.  Indeed you are the best kind of Godfather any of us could ever hope to have: eminently wise, endlessly patient, unceasingly kind, preternaturally charming, highly efficient, and, always, always looking out for the people who matter.  (I’ve even heard it whispered that you are, like a young Marlon Brando in his prime, devastatingly handsome, but that is not for me to judge.) 

I will always be in your debt, intellectually and professionally, and, what’s more, I am thrilled to owe you everything that I do. Because I know that owing you means I have already received something worth far more than I can ever repay.  And I am quite sure—absolutely certain, in fact—that my feelings hold true for every student and every faculty member who has been—or ever will be—part of the MALAS program. 

Speaking of which. . .

It is most definitely my privilege and my pleasure to be here today to present the first annual Michel Foucault/Carlos Fuentes Commencement Lecture and to mark the 25th anniversary for the Master of Arts in Liberal Arts and Sciences program here at San Diego State University.   And I want to underscore that privilege by thanking the College of Arts and Letters for its continued support of the MALAS program; it is a wonderful thing—and, I should add, a rather rare thing these days—for a university to demonstrate the institutional will and dedication to sustain and nurture a top-flight graduate program; to have that support from the College of Arts and Letters here at San Diego State is not a thing to be taken lightly, and never, ever a thing to be taken for granted.

Most important: I want to thank to all of you for allowing me to share this moment in time with you as a guest at your academic table of celebration.  It is all too easy to forget how truly special the concept of commencement is—as a ceremonial means of marking a point of achievement and as a kind of secular sacrament for re-affirming a sense of community.  Or, in the case of MALAS, something even more intimate and meaningful than community: a sense of family. 

Which brings me to Number 2: Offer advice to people who deserve advice:

MALAS graduates: it is crucial to bear in mind today that this commencement—your commencement—is not strictly about you.  And it’s not about your faculty either. Or even our amazing Godfather, Professor Nericcio. . . .

It’s about your relation to something that is far, far larger than all of that—and yet extremely intimate at the same time.  Yes, this commencement, like any good community send-off, is a means for signaling your accomplishments as an individual.  But it is also a way of dramatizing the meaning of those accomplishments, a way of illuminating them by placing them within a broader context. In this case, that context is your MALAS family: a family that has sustained you and will continue to sustain you in ways that you will not fully realize or appreciate until long after this day is done and you’ve moved on, literally or figuratively, towards yet another new horizon and a fresh set of experiences, people, places, and ideas.

So how should you approach this commencement?  This celebration of You and your connections to those with whom you’ve traveled this path?  What to do?  How to act?  What to say? What to Think? How to Feel?  Have you been wondering about such questions?  Perhaps you’ve even figured out some of your own answers.  And perhaps some of those answers might even be right. . . .

But let’s not get ahead of ourselves.  Remember the key to successful research: always consult the best sources first.  Find out what wisdom they offer, and then make your decisions accordingly.  We know our sources: Michel Foucault, one of the most talented and accomplished thinkers of our time Even now, almost 30 years after his death, he remains the most cited of all scholars in the humanities, by far.  And Carlos Fuentes, one of the most talented and accomplished writers of our time: now, almost exactly one year removed from his death, he remains a most powerful touchstone and inspiration for those of us who conceive of our work scholars and teachers as a form of creative expression: as a form of art that inextricably links imagination and pedagogy, aesthetics and scholarship.

What they would tell you, I think, if they happened to make an appearance at your MALAS graduation party, is that you cannot lead your life—you cannot do the work you wish to do—without a little bit of madness and a little bit of delinquency.  Because if you have just a little bit of madness about you, now and then, and you are a little bit delinquent, from time to time, then you are not leading your life in accordance with the normal expectations for how one should think, feel, and act.  You are, in other words, deviating from the standard course that most people would call the right way to go.

Foucault spoke of this in an interview he gave just a few months before his death.  He reminded us that madness is its own form of knowledge, its own means of asking and answering questions that others might not otherwise pursue. And that the same is true for delinquency: t means not always following the blueprint that is handed to you.  In fact, he called himself a kind of delinquent because he chose not to be “encased in ideology”—meaning he chose not to be defined entirely by the norms and conventions that he himself did not have the chance to interrogate, analyze, and accept or reject.  To be clear: Foucault is not talking about pointless rebellion or resistance solely for the sake of resistance.  What he wants is a serious interplay of questions and answers in which you have a right to “remain unconvinced” “to perceive a contradiction”  “to require more information” “to point out faulty reasoning” and to recognize yourself as both possessing authority yet never become subservient to authority itself.  (references and quotes from “Polemics, Politics, and Problematizations: An Interview with Michel Foucault” conducted by Paul Rabinow, 1984;  See Essential Works of Foucault, vol. 1 “Ethics”, trans. Lydia Davis, The New Press, 1998)

In this sense, Foucault is on precisely the same page, literally and figuratively, as our other source of wisdom: Carlos Fuentes.  Here is a brief quote from Fuentes’ autobiographical philosophical collection of essays entitled: This I Believe: An A to Z of a Life:  Fuentes writes, “"In the university, everyone can be right, but nobody has the power to be right by force, and nobody has the force to insist upon one single way of perceiving what is or is not right."

There is a certain elegance and economy to Fuentes’s assertion: he suggests that you must be just a little bit mad and a little bit delinquent to insist that everyone can be right, but that there is no single way of perceiving what does or does not count as right. 

What matters most for both Foucault and Fuentes is not the knowledge or the art or the truth in and of themselves but rather the way in which knowledge or art or truth are determined and re-determined by individual perception. 

Which brings me to Number 3: Congratulate the people who deserve to be congratulated:

So congratulations and thanks to each of you—students, family, friends, professors, each of you has already shown yourself to be possessed of just a touch of madness and just a dollop of delinquency—else you would not be part of the MALAS family.

Congratulations in particular to: Sean, Trevor, Stephanie, Jennifer, Victor, Yadira, Leticia, Malinda, Allison, Diane, Sophia, Jim, Marla, Francisco, Richard, Sharon, Caleb, Tashi, Jonathan, Jenny, Siobhan, and Richard. 

Now, for Rule Number Four: the phrase you’ve all been waiting so patiently to hear. . . “in conclusion.”  And in conclusion, I’m going to leave you with a quote that I think epitomizes the wonderful spirit of the MALAS program.  So if Foucault and Fuentes should happen to put in a supernatural appearance at your graduation party, you’ll have something to offer them (in addition to a nice cold drink!).  The quote is from T.H. White’s Once and Future King, and it is part of a scene in which the wizard Merlin is advising the young Arthur about how to overcome his melancholy:

“’The best thing for being sad,’ replied Merlyn, beginning to puff and blow, ‘is to learn something. That is the only thing that never fails.  You may grow old and trembling in your anatomies, you may lie awake at night listening to the disorder of your veins, you may miss your only love, you may see the world about you devastated by evil lunatics, or know your honour trampled in the sewers of baser minds.  There is only one thing for it them—to learn.  Learn why the world wags and what wags it.  That is the only thing which the mind can never exhaust, never alienate, never be tortured by, never fear or distrust, and never dream of regretting. Learning is the thing for you.  Look at what a lot of things there are to learn—pure science, the only purity there is.  You can learn astronomy in a lifetime, natural history in three, literature in six. And then, after you have exhausted a million lifetimes in biology and medicine and theocriticism and geography and history and economics.’”  (from Book 1, Chapt. 1)

And, after learning all of that, MALAS graduates, the pay-off is not only a recipe for happiness. . . but also the fact that you can then start all over again.  For there is always more you’ll want to learn.    

Thank you. 

Friday, May 17, 2013

MALAS 25th Anniversary Commencement featuring the 1st Annual Foucault/Fuentes Lecture in Cultural Studies | Paul Ryan Scheider, Purdue University

click to enlarge
With 21 MAs being handed out for 21 extraordinary agents of interdiscplinary and cultural studies, Commencement 2013 is the largest MALAS graduation cohort in the program's history.

This year our commencement will feature our 1st Michel Foucault/Carlos Fuentes Lecture on Cultural Studies--Professor Ryan Schneider, from Purdue University will treat us to a presentation entitled: "Madness and Delinquency. . . or, What Would You Do if Carlos Fuentes and Michel Foucault Showed Up at Your MALAS Graduation Party? "

MALAS Commencement is on Sunday, 10am, on the SDSU main campus in West Commons 220--no tickets are necessary and MALAS MAs need not feel the need to wear their graduation robes (though if you have them, why not strut your academic finery!???). Feel free to bring, friends, family, and (best yet) prospective folks you think might like to be part of the MALAS experience.

More on our first Foucault/Fuentes speaker:

Ryan Schneider holds a B.A. in History and Literature from Harvard as well as an M.A. and a Ph.D. in English from Duke.  He specializes in nineteenth-century American and African American literature with particular emphasis on Transcendentalism, Critical Race Theory, and intellectual history. His current research focuses on Cognitive Literary Studies, and his book, The Public Intellectualism of Ralph Waldo Emerson and W.E.B. Du Bois: Emotional Dimensions of Race and Reform, was published in 2010 by Palgrave Macmillan as part of their Cognitive Studies in Literature and Performance series.
Professor Schneider’s articles have appeared in American Transcendental QuarterlyArizona Quarterly, and edited collections including No More Separate Spheres!: A Next Wave American Studies Reader, (Duke University Press), and Boys Don’t Cry?: Rethinking Narratives of Masculinity and Emotion in the U.S., (Columbia University Press). He also has contributed essays to The Oxford Companion to Women's Writing in the United States and W.E.B. Du Bois: An Encyclopedia. He currently is working on a book that examines the role of Transcendentalism in the construction and consolidation of various dimensions of ethnic identity in antebellum New England.
click to enlarge
In addition to serving as Director of Graduate Studies for the English Department, Professor Schneider teaches a wide range of courses in both English and American Studies.  He has received numerous teaching awards at both the undergraduate and graduate levels and is a two-time recipient of the Center for Undergraduate Instructional Excellence Fellowship. He also is a founding member of the Cancer, Culture, and Community Program (CCC): a joint venture involving the College of Liberal Arts and the Oncological Sciences Center in Discovery Park that explores the human response to cancer as expressed through art and literature. His first job in academe was as an Assistant Professor of English and Comparative Literature--MALAS is excited to bring Dr. Schneider back to SDSU for this special event.

Wednesday, May 8, 2013

NEW MALAS FALL 2013 CLASS... NEUROTEXTS with Dr. Jonathan Ewell


NeuroTexts is a course on the meaning and the mystery of thinking, bringing together approaches from contemporary neuro- and cognitive science with an array of literary texts to explore brains, minds, intelligence, and their role in culture. The course includes two main units. The first, “The Mind-Body Problem, Then and Now,” offers a brief history of that philosophical quandary and its role in shaping cultural attitudes on and perceptions of the mind and human experience more generally.



We begin with readings from Descartes, Montaigne, and the Romantic poets, and then venture into 20th-century perspectives through works by Alan Türing and Daniel Dennett to show how advances in our understandings of neurophysiology and computer-based artificial intelligence have fundamentally changed the terms of the mind-body problem, changing in turn the way we view ourselves and our physical and mental being.  The second unit “Signifying brains,” looks at how the mind represents the world and also how the mind represents itself. We’ll explore representations of the mind in literature and popular nonfiction, including Virginia Woolf’s stream of consciousness style in Mrs. Dalloway, neural representations in contemporary science fiction, and a selection of narrative case histories from neurologist and author Oliver Sacks. Throughout this second unit, too, we’ll be studying a selection of recent scholarship that has attempted to bring cognitive science to our understanding of fiction, literature, and the arts.

MALAS Commencement Information, Spring 2013 | The 1st Annual Michel Foucault/Carlos Fuentes Commencement Lecture, May 19 @ 10am | Feature Lecture: Ryan Schneider, Purdue University

I know where you have to be on Sunday, May 19 @ 10am on the SDSU main campus! West Commons 220! MALAS Commencement!ALL present MALAS students are encouraged to attend with friends, family, and (best of all) prospective students! Remember! YOU are our best ambassadors!


Here's more MALAS INFO from an email sent to the program:

MALAS Familia! Friends, Students,
Alumni and Faculty of the Master of Arts
in Liberal Arts and Sciences,

It gives me great pleasure to announce
that all 12 of our MALAS Comprehensive
Exam takers have PASSED their final 
hurdle and will be graduating at Commencement,
May 19, 2013 @ 10am in West Commons 220.

Please make plans to attend with friends and family
as MALAS brings our 25th Anniversary year to a 
close with our largest graduating class ever!

Here is the official list of MALAS graduate
students being heralded at commencement--
I have placed an asterisk next to the group
of twelve that just passed their exam:

*Sean Lindsay Armijo
Trevor T Auser
*Stephanie Bobp
*Jennifer Anne Carter
*Victor Fabian Delgadillo
Yadira  Diaz
*Leticia  Gomez
Malinda Hunter Hinesley
Allison Josephine Hooker
*Diane Alexandra Becker Hunt
*Sophia Nabil Jacoub
*James Loren Johnson
Marla Carissa Laguardia
Francisco A. Miramontes
*Richard Grant Muir
*Sharon Lynn Payne
Caleb James Rainey
*Thupten  Tashi
Jonathan Areola Valdez
Jenny Mae Weisenborn
Siobhan Theresa White
*Richard James Whitehead

21 MAs for 21 extraordinary agents of interdisciplinary and cultural studies--this is the largest MALAS graduation cohort in the
program's history.

Remember, our commencement
will feature our 1st Michel Foucault/Carlos Fuentes Lecture
on Cultural Studies--Professor Ryan Schneider, from Purdue University, will treat us to a
presentation entitled:
Madness and Delinquency. . . or, What Would You 
Do if Carlos Fuentes and Michel Foucault Showed 
Up at Your MALAS Graduation Party?

MALAS Commencement is on Sunday, 10am,
in West Commons 220--no tickets are necessary
and MALAS MAs need not feel the need to wear
their graduation robes (though if you have them, why
not strut your academic finery!???).  Feel free to bring, friends,
family, and (best yet) prospective folks you think
might like to be part of the MALAS experience.

This is a renaissance year for MALAS. I am in 
debt to the College of Arts and Letters for its
ongoing support of MALAS. I am in debt as well
to the MALAS Faculty Advisory Cohort--including
its newest member Roy Whitaker, Lecturer, Religious
Studies, for their guidance and counsel during
the year.  My warm thanks to: Huma Ahmed-Ghosh, 
Professor and Chair, Women's Studies; Stuart C. Aitken, 
Professor and Chair, Geography; Peter Atterton, Professor, 
Philosophy; James Gerber, Professor, Economics; Seth Mallios,
Professor and Chair, Anthropology; Vincent Martin, Professor, 
Spanish and Portuguese; Professor, English and Comparative 
Literature, Chicana/o Studies, and Latin American Studies;
Harry Polkinhorn,Professor, English and Comparative Literature;
Director, SDSU Press; Stephen Colston, Associate Professor, History, 
and Adjunct Faculty, American Indian Studies and Chicana/o Studies;
D. J. Hopkins, Associate Professor, Director of the School of Theatre, 
Television, and Film; David Kamper, Associate Professor and Chair, 
American Indian Studies; Ghada Osman, Associate Professor and Chair, 
Linguistics; Joseph Andrew Smith, Associate Professor, Classics 
and Humanities; Edward J. Blum, Associate Professor, History;
Roberto D. Hernández, Assistant Professor, Chicana/o Studies; 
Yetta Howard Assistant Professor, English & Comparative Literature;
Amy Schmitz Weiss, Assistant Professor, School of Journalism and 
Media Studies, Jonathan Ewell, Lecturer, English & CompLit and MALAS;
and the aforementioned Roy Whitaker, Lecturer, Religious Studies 
and MALAS.

Yours in MALAS,


William A. Nericcio
Director, MALAS


ps: you are also invited to our final MALAS Monthly of the
academic year at the Blind Lady Ale House in Normal Heights!

Monday, April 29, 2013

MALAS Co-Sponsors Talk by Suyapa Portillo Villeda, Professor of History in the Chicano/a Latino/a Transnational Studies Field Group at Pitzer College

Please join us today for a talk by Dr. Suyapa Portillo Villeda, professor of history in the Chicano/a Latino/a Transnational Studies field group at Pitzer College. She has been documenting abuses of LGBTTI people in her native country of Honduras since 2006.

The coup d'etat in Honduras in June 2009 brought about state teror and increased repression against everyone in resistance to the coup, and especially to the more vulnerable sectors such as the organized Lesbian, Gay, Transgender, Transvestite, and Intersex community. Since the coup, there have been over 200 murders, of those 99 have been LGBTTI individuals. Dr. Portilla will be presenting today on LGBTTI resistance in Post-Coup Honduras. 
Date: TODAY (April 30)
Time: 2pm, reception to follow
Location: AL 101


This event is hosted by: The Center for Latin American Studies, MALAS, the Department of Women's Studies, and Chicana and Chicano Studies.

We hope to see you there!


Monday, March 18, 2013

What: Workshop in American Religious History (WARh) When: Thursday, March 21, 11:30-1:30 Where: San Diego State University, Arts and Letters Building, room 524


Workshop in American Religious History (WARh) is pleased 
to welcome Guy Emerson Mount (University of Chicago) and 
Sarah Azaransky (University of San Diego) to discuss a chapter 
from Azaransky’s The Dream is Freedom: Pauli Murray and 
American Democratic Faith. Widely praised, one reviewer writes of 
The Dream of Freedom: “Azaransky's study is one of those books that 
makes me wish I could re-write my previous works - not just because 
Murray is such a fascinating subject, but also because Azaranksy 
does such a nice and succinct job of interrogating her life, writings, 
ideas, and perspectives.” 

What: Workshop in American Religious History (WARh) 
When: Thursday, March 21, 11:30-1:30 
Where: San Diego State University, Arts and Letters Building, room 524 
Contact: Edward J. Blum eblum@mail.sdsu.edu for chapter to be discussed 

Pizza will be provided – but only for those who contact 
eblum@mail.sdsu.edu to RSVP 

Co-sponsored by MALAS and the Department of History at SDSU.

Wednesday, January 9, 2013

NEW MALAS Collaboration with Religious Studies @ SDSU: GOD AFTER THE HOLCAUST

update: January 11, 2013..... some bad news: the Department of Religious Studies and MALAS have been asked to close this class for Spring 2013 due to low enrollment; we will try again soon in the future....

click to enlarge