update: January 11, 2013..... some bad news: the Department of Religious Studies and MALAS have been asked to close this class for Spring 2013 due to low enrollment; we will try again soon in the future....
This course will investigate many transformations of Central European folkloric vampire into a Romantic literary character, an ultimate monster of horror cinema, a next-door neighbor of popular culture, and much more. We will explore how and why the image of a vampire became a metaphor for political and social concepts such as imperialism and colonialism, gender and sexuality. The seminar features readings/discussions of fiction, historical accounts, and academic articles as well as screenings/discussions of film.
MALAS 600A SEM:CULT STUDIES:VAMPIRES 3 units Sched#21737 open seats: 30/30 Seminar
4:00pm-6:40pm T PS-140 V. SHAPOVALOV
The first in a series of blog postings highlighting the research interests of MALAS graduate students. First up? Allie Schulz.
As a student in the Masters of Arts in Liberal Arts and Sciences program, I was excited to start the year off by reading several excellent essays by Freud and Kafka. The readings inspired me to do some additional research on my own interests of both the unconscious and the paranormal! Though most people think of ghosts as innocent caspers or scary ghouls, the representations of what are considered to be ghosts in our society vary widely. Ghosts can be signified by anything from a loud noise coming from the hall, to a reflection in the mirror that shouldn’t be there, to an object that has been knocked over without cause. Haunting themes can be found all throughout our history not only in oral tradition, but in books, poetry, movies, and more. Within two great works of film and literature, Kubrick's adaptation of “The Shining” and Poe’s short story “The Tell Tale Heart” ghosts do more than just entice the viewer into feeling fear. Ghostly sights and sounds can potentially act as representations of our greatest anxieties (such as the fear of death), a yearning for the substances we are addicted to, or as expressions of repressed feelings that are pushing us towards self-destruction. Let’s start with The Shining- think of Danny and his fascination with the dead twins, he might have just been unconsciously confronting his own mortality or his fears of violence, something he was no stranger to. And for Jack, the only “ghosts” he sees tempt him with what he most desires- alcohol, sex... Jack’s ghosts may really just be his way of hoping to fulfill his desires despite his best attempts to repress them. Then we have the narrator in The Tell-Tale heart, who has committed a murder and his guilt begins to manifest through the escalating thumping of the beating heart he claims to hear beneath the floorboards.
Freud wrote often on the delusion of being watched, and makes the case that hallucinations (seeing a ghost! hearing the sound of the beating heart!) are often merely manifestations of deep-seeded emotional traumas. In Freud’s essay “The Uncanny” he explains, “In the pathological case of delusions of being watched, this mental agency becomes isolated, dissociated from the ego, and discernible to the physician’s eye”. So feeling like we see/hear a ghost might be a symptom of the psyche. A popular urban legend is one about a woman who placed her deceased husband’s ashes in a closet, not having the energy to find the remains a more honorable area. A loud thumping emanated from the closet until she moved the urn into a respectable location. I believe one of two things was happening in this story- that either she unconsciously created the thumping in her mind, or the leftover information from the loved one (i.e. ghost) really did want his physical form to be located elsewhere. I’m more skeptical to endorse the latter, but I do think its worth considering.
As people go through life and claim to experience paranormal activity, whether or not that activity ‘exists' in the most traditional sense of the word, the activity has physiological effects on people and will thus change how they interact with world. Does that make the ghost any less real, well, I’m not going to pretend to be the authority on that conundrum. But what I am going to argue is that whether or not ghosts are real, most people have experienced a paranormal experience (or have experienced a story through a book, movie, etc.) and thus these paranormal activities are a real human phenomenon. -Allie Schulz
This Fall 2012 finds SDSU's Master of Arts in Liberal Arts and Sciences (MALAS) program co-hosting a seminar with the Department of Religious Studies. The course? Hip Hop and Religion, taught by Delroi "Roy" Whitaker, a lecturer with both Religious Studies and MALAS. Here's a recent piece on his class.
We here at MALAS like to stay ahead of the curve when it comes to trends in contemporary culture--so it came as no surprise this morning when we ran across this piece in the new Time Magazine:
This is Dr. William A. Nericcio, the director of the Master of Arts in Liberal Arts and Sciences program at SDSU. This blog posting is an experiment to see if we can use public and private philanthropy to fund our graduate student travel initiative. Delivering paper at conferences here and abroad is a key element of the graduate student experience.
Your donations will help our MALAS graduate students to share their unique, dynamic, interdisciplinary research findings with their peers and with other scholars across the globe. Be generous if you can!
MALAS, the Master of Art in Liberal Arts and Sciences at SDSU, is proud to announce a Chavela Vargas predoctoral fellow program for 2012-2013. The recently deceased Chavela Vargas (video below) was a groundbreaking international artist whose work in music, social justice, and gender politics made dramatic contributions to culture and justice on both sides of the Rio Grande river and beyond. It is this singular, dynamic, and boundary-crossing/breaking ability that set Vargas apart from other entertainers and why MALAS elected to grace our first predoctoral fellow program with her name.
Frida Kahlo and Chavela Vargas
Our selected fellow for 2012-13 is a remarkable graduate student from the Spanish section of the Department of Romance Languages & Literatures at the University of Michigan: Laura Herbert. Ms. Herbert is presently working on her dissertation, "The Post-NAFTA Intersections of Culture, Market,
Nation and Gender on the US-Mexico Border" with her supervisory team of professors: Gareth Williams (chair), Colin
Gunckel, and Lawrence LaFountain-Stokes.
Congratulations to Laura Herbert and welcome to SDSU and to MALAS. Herbert will be sitting-in and guest lecturing in MALAS seminars throughout the Fall and Spring and will lecturing on her research at a date to be determined.
Biography
Laura M. Herbert
I am a doctoral candidate at the University of Michigan in
Romance Languages honored to be the MALAS Chavela Vargas predoctoral fellow for
2012-2013. My thesis focuses on how national mythologies in the United States
and Mexico have shifted under the current neoliberal paradigm and how these mythologies
mobilize and manipulate certain forms of embodiment. I am particularly
interested in the telenovela industry and the work of Roberto Bolaño. I
received my B.A. summa cum laude in 2007 from the Ohio State University and in
2008 I began my graduate work in 2008 at Michigan where I am the very fortunate
recipient of the Jacob K. Javits fellowship. When I´m not studying, I´m into
cooking and yoga!
Here are some of Laura's recent doings:
Upcoming:
“Nosotras versus We:
Translating the Implicit Feminism in Pensamientos,
prácticas y acciones del GAC,” Translating Intersectionality: Language and
the Politics of Multilingual Feminist Solidarities. National Women´s Studies
Association Annual Meeting. Oakland California. November 2012.
Past:
“2666’s Literary Mass Grave: Historical Memory and Bolaño on
the Border,” Mapping the Mexican Borderlands Seminar, American Comparative
Literature Association Annual Meeting.Providence, Rhode Island.March 2012.
“When Exports and Diasporas Collide: La Reina del Sur and
the Melodrama of Mexican Nationalism,” The Female Body, Gender and Identity in
21st Century Latin America Panel, Northeast Modern Language Association Annual
Meeting.Rochester, New York.March 2012.
“The Narco Nouveau- Riche: Class Identity and Narco dollars
in Colombian Bestsellers” (retiled “Of Sicarios and Prepagos: The Consuming in
and of Colombian Narconovelas”), First Seminar on the Narco Imaginary, American
Comparative Literature Association Annual Meeting. Vancouver, Canada.March 2011.
“Queering the Barrio: Gay Chican@s and the Construction of
Liberatory Space,” Spaces and Identity Panel, Spaces of Relation Conference.
University of Miami.Miami,
Florida.February 2011.
Organized Conference
Seminar:
Translating Intersectionality: Language and the Politics of
Multilingual Feminist Solidarities (co-chaired with Catalina Esguerra-Metheny
and Jocelyn Frelier). National Women´s Studies Association Annual Meeting.
Oakland California. November 2012.
Mapping the Mexican Borderlands
(co-chaired with Paige Rafoth), American Comparative Literature
Association Annual Meeting.
Providence, Rhode Island.
March 2012.
Help us celebrate out Silver anniversary! If you had some role in the creation of MALAS, have taught a seminar for us, or have had some hand in MALAS's development, or are one of our present students or alumni, don't be shy about leaving us a comment below!
Dafne Muntanyola-Saura has a Ph.D. in Sociology from the Universitat Autònoma de Barcelona (2008), where she is currently teaching Sociology of Mass Culture and Ethnographical Methods. She has been an MA student at Stockholm University, and a postdoc reseracher in Nice and Madrid. As a Fulbright Scholar and Visiting Professor at the department of Cognitive Science at UCSD she has participated in Dance and Cognition, an interdisciplinary project with the Wayne McGregor-Random Dance company. She translated Cicourel (2007) and Kirsh (2007) into Spanish.Her current research crosses over the fields of contemporary cognitive science (embodied and distributed cognition) and ethnography (Muntanyola, 2010, 2012, & Kirsh, 2010). She studies expert and creative teamwork in different work environments, such as hospitals, dance rehearsals and synchronized swimming.
Address : Universitat Autònoma de Barcelona, Campus Bellaterra, E-08193 Barcelona, España (dafne.muntanyola@uab.cat).
MALAS, the Master of Arts in Liberal Arts and Sciences at San Diego State University, is honored to have in residence this late Summer and early Fall, the one and only Dr. Simone Belli, of Spain by way of Italy. Dr. Belli will be lecturing on his diverse body of research in the first MALAS 601 seminar this Fall 2012, Wednesday, August 29, 2012 (3:30pm-6:10pm in LSN-134). Here's more information concerning the work of Dr. Belli:
click to enlarge
Simone Belli (Bergamo-Italia, 1981) is a Postdoctoral Researcher at the Universidad Autónoma University de Madrid. He received his Ph.D. (Doctor Europeus) in Social Psychology from Universidad Autonoma de Barcelona with the thesis 'Emotions and Language', directed by Lupicinio Íñiguez Rueda. He is member of MIRCo Research Group (Multilingualism, Social
Identities, Intercultural Relations and Communication), GESCIT Research Group (Social Studies in Science and Technology), JovenTIC Research Group, and of the Centre of Discourse Studies (CED). Sponsored by the Spanish Department of Education and Science, he worked as a predoctoral fellow at Georgetown University at Washington, DC, The University of Manchester, and at Manchester Metropolitan University. He has also served as a visiting Professor at the University of Bergamo in Italy. His research is focused on the relationship of emotions with language, and how it is possible to express these emotions through the use of Information Technology and Communication (ICT).